Rachael Lesley

Vinnie Kinsella by Jayna Milan

Storytelling on display: Dark Night of the Soul

Hear tragic tales and stories of bold resolve at Dark Night of the Soul III. The storytelling session, presented by experimental performance group Home Theatre Systems, gathers at Floyd Old Town Coffee (118 NW Couch St.) this Thursday. The story-sharing group thrives on the idea that transcendence and community can be achieved by sharing moments of hardship. The third installation of Dark Night of Soul features several members of the PDX Late Bloomers Club, whose members will share their distinct experiences as gay men who remained closeted for 30 to 50-plus years. The event is the first opportunity to hear stories of the like that will be featured in the anthology Fashionably Late, a collection of stories that articulate similar experiences. Fashionably Late, which has an expected release date of National Coming Out Day on Oct. 11, 2015, is the inaugural publication of Eldredge Books, a Portland-based small press started by local publisher Vinnie Kinsella. Doors open at 7 p.m. and admission is $6. — Rachael Lesley Vinnie Kinsella shot for PDX Magazine by Jayna Milan.

Fight or Flight by Corey Arnold

Three must-see picks for November’s First Thursday

This week, reward the brain with some unstructured playtime courtesy of another installment of First Thursday. The Pearl District’s monthly gallery walk grants access to local, national, and international artists in a setting ripe for socialization. Head over to Charles A. Hartman Fine Art Gallery (134 NW 8th Ave.) with friends to discuss the work of Portland-based artist Corey Arnold. His series, Wildlife, rediscovers the meaning of “awesome.” Used during Romanticism to describe nature, awesome defines a thing that simultaneously evokes admiration and fear—Arnold’s work delivers both. Expect to be drawn in by the rich colors and held captive by the creatures before you, and feel free to share your experience with Arnold. The artist will be present for the opening reception, which runs from 5 to 8 p.m. At Annie Meyer Artwork Gallery (120 NW 9th Ave.), local artist Shawn Demarest exhibits Snow Day, a series of vignettes prompted by a rare heavy snowfall that descended on Portland back in February 2014. Demarest uses oil paints to depict outdoor scenes, often initially rendered on site in a technique called en plein air. Her paintings then evolve in her studio where time degrades the details of the scene causing her…

Brent DeBoer’s Immigrant Union joins Federale on stage Nov. 6 at Mississippi Studios

“Immigrant Union is a band with uncompromising appeal on the brink of international recognition and admiration,” asserts Jef Krohn, Music Editor at PDX Magazine. Led by Portland’s own Brent DeBoer, of the Dandy Warhols, Immigrant Union rolls into town on psychedelic waves to perform the final show of their North American tour at Mississippi Studios (3939 N. Mississippi Ave.) Thursday, Nov. 6 at 8 p.m. The Melbourne, Australia-based band released their second full length album, Anyway, in September. “The show is a rare opportunity to see this Aussie outfit in an up close and intimate setting before they hit the coliseums and amphitheaters around the world. Not to mention it’s Mississippi Studios, arguably one of the best-sounding venues in Portland.” Presented by PDX Magazine, Immigrant Union opens for Spaghetti Western-inspired local band Federale. The headliner’s conceptual tunes, best described as a tumbleweed of western soundscapes, takes listeners through a musical tracking of opening credits, stampedes, fast-draws, and a ride into the sunset. Federale is half the brain-child of Collin Hegna, the neo-psychedelic bass player of The Brian Jonestown Massacre. In addition, classic country crooners Brush Prairie—featuring Zia McCabe, also of the Dandy Warhols—are booked to open. Expect classic covers from…

Domicile by Corbett/Kathryn

New work by Corbett/Kathryn tackles our digital age’s ‘obsessive present’

Travel down a path, ensconced by a geodesic dome and lit by projections of the celestial sky, to explore the sprawling sculpture at its center. A floating topographical representation of the Portland metro area is seen through the obsessive compilation of hundreds of digital satellite images. Allow the eye to roll over the exhibit’s mountains and valleys and wind through the rivers. Give into the perspective of the creation only to be brought back to reality by the mechanisms of the installation—the lighting, special effects, and structural components which draw you to the dome, and its safety and subjectivity. The experience is part of the new full-sensory exhibit, Domicile, orchestrated by local artists Tyler Corbett and Erinn Kathryn. The duo create art under the moniker Corbett/Kathryn (“Subjective Cartogrpahy,” Issue No. 8). The geodesic dome is a shell created from a network of great intersecting circles. The structure, Corbett explains, is a symbol of the encompassing environment that restricts or embellishes our understanding of a subject, in this case the topographical sculpture at the center of the installation. Corbett/Kathryn characterized their centerpiece as the earthly embodiment of the “obsessive present.” A concept described by Corbett as not only the global culturalization of…

Dial M for Murder by Bag & Baggage Productions

Dim the lights: Portland’s mid-October theater opening highlights

Television houses a surplus crop of zombie apocalypse and vampire romance. Break free from the parade of the undead with a string of mid-October Portland theater openings guaranteed to add a little mortality to this fall’s entertainment. After all, autumn is both a celebration of life and death. Milagro Theatre (525 SE Stark) has set the stage for the debut of Olga Sanchez’s ¡O Romeo!. Running from Oct. 17 through Nov. 9, ¡O Romeo! summons the victims of Shakespeare’s tragedies to appear to the dramatist in his dying days as he creates his final masterpiece. Inspired by Dia de los Muertos (Day of the Dead), the play is a bilingual performance that focuses on the culturally influenced concept of death. Director Sanchez credits her team of actors, designers, and crew for proving that the legendary playwright transcends cultural boundaries. Ticket prices range from $16 to $24. From Oct. 16 through Nov. 2, enjoy the songs and choreography given life in Portland’5 Center for the Arts’ 110 in the Shade at Brunish Theatre (1111 SW Broadway). The musical, which emerged from N. Richard Nash’s play The Rainmaker, tells a tale of small town America when a draught bares an opportunity for…

SuperTrash on display, let’s talk about it

Our history is documented in everyday design. A passing glance at a poster may not strike the viewer as anything more than an artful image, designed to draw attention to an upcoming film. But what happens when more than 200 hundred posters, spanning fifty years, are placed juxtaposed in an exhibit? SuperTrash, a collection of cult movie bills curated by Jacques Boyreau, was first presented at the Andy Warhol Museum. Offering an alternative portrait of the 20th century, the prints amassed by Boyreau, author of TRASH: The Graphic Genius of Xploitation Movie Posters, are on display at PNCA’s Swigert Commons (1241 NW Johnson) through Oct. 21. As this showcase of vintage design warrants more than just a glance, the art school seeks to contextualize the thoughts and attitudes behind the graphic designs with a symposium hosted this Saturday, Oct. 11, as part of Design Week Portland. After settling in with a cup of morning coffee, the symposium begins promptly at 10 a.m. Boyreau opens the event, speaking to why this selection of cult movie advertisements is an avant-garde study of America’s collective past. Then, a discussion lead by notable presenters is to follow. Speakers Amy Borden, contributor to anthologies on…

Mix tapes, Mad Men, and urban design: Oct. 7 highlights of Design Week Portland

Design is founded on more than just functionality. At its very core, design is rhetoric. From its beginnings as the artful speeches of ancient Greeks, rhetoric has evolved into the ability to express ideas through multiple mediums of design. Tonight, Design Week Portland hosts several events around town that use various forms of design to communicate with the Rose City. See how artist Kate Bingaman-Burt forgoes the high-fidelity romance of mix tapes to use the medium to communicate her thoughts on money, objects, and emotions. The open house exhibit, More More More, at Liquid Space (910 NW Hoyt) in the Pearl District, is a free event that lasts from 4 to 7 p.m. The show gives attendees a chance to speak with Bingaman-Burt and purchase prints of her work. Each purchase comes with a mix tape curated by the artist. Later in the evening, take a more intimate look at the work—rather than the sex lives—of Portland’s real-life Don Drapers in Portland Designers in the Mad Men Era. Browse displays featuring old sketchbooks, pamphlets, illustrations, and comics of Mad Men-era Portland designers in advertising. The collection provides an intimate look at the local men who transformed the field of ad and graphic…

Dim the lights, please: Plays opening now in Portland

Autumn may mark the end of day trips, beach-basking, and camping, but Portlanders must not lament its arrival. The fall brings with it a line-up of theatrical productions that demonstrate escapism at its best. A variety of plays, from existential to thrilling to comedic, are ready to take audiences on an expedition of the mind. Third Rail’s production of Middletown lightens the weight of the abstruse quest to uncover the purpose of life. Written by Will Eno, Middletown is a story marked by life and death but the subject matter is what occurs between. Utilizing the play medium allows the story to emphasize a familiar cast of characters seen in life—the cop, the doctor, the mechanic—in a setting that could be any town. Under the direction of Marcella Crowson, Eno’s quip-filled, yet poignant dialogue is metered with fast-paced execution to keep the audience from getting lost in its meta musings. Middletown plays now through Oct. 19 at the Winningstad Theater, 1111 SW Broadway. Performances occur Thursday through Saturday at 7:30 p.m. and Sunday at 2 p.m. Tickets range from $33 to $47. Audiences seeking a more plot-driven story can be carried away to a sea of unfortunate circumstances and character conflict in Exiles. The third play…

Wordstock announces partnership, change of venue

More than a mere convention for those in the written word business, Wordstock has been a vibrant celebration of the literary arts for nine years. And now Wordstock has a new venue – and benefactor. In the past, the festival has operated out of the Oregon Convention Center. This year, festival organizers will take a brief hiatus to prepare for Wordstock’s 2015 reincarnation at its new venue, the Portland Art Museum. Brian Ferriso, Executive Director of the Portland Art Museum, is enthusiastic about the event, revealing that Wordstock will not only take place within the larger venues of the museum, but also throughout the gallery space, where compelling art will be a part of the overall festival. Wordstock’s change in venue is the result of a beneficiary relationship with Literary Arts. Since 1984, the nationally recognized program has been associated with the Portland Art Museum, where it launched the subscription series, Portland Arts & Lectures. Woodstock’s association with Literary Arts will bring additional funding, but also expectations — expectations that Literary Arts can help Wordstock exceed. Board Chair Michelle Wasson, who is responsible for initiating conversation with Literary Arts, believes that “this acquisition allows the festival to continue to develop as…

PDX Magazine and McMenamins present Three for Silver and Nathan Jr.’s .bot

#AbsynthianPsychoTrad, #TypewriterWaltz, and #3amSexyDirge are just a few of the hashtags playfully used to describe the songs of Portland-based band Three for Silver. The gypsy jazz group is a chimerical concoction, with Willo Sertain powering both vocals and accordion, Lucas Warford plucking a makeshift bass, and Greg Allison sawing the fiddle. They produce a sound that is both a rousing rhythmic aphrodisiac and a mind-slipping sedative. In essence, a prescription for a great live show. Over the course of seven days, Three for Silver will dispense their newest tunes during a residency for Al’s Den at Crystal Hotel (303 SW 12th Ave.).This is the last chance to hear what a #3amSexyDirge sounds like before they leave for Chicago’s Hi-Style Studio to record their new album, expected to be released mid-December. On Saturday, September 27, as the residency at Al’s Den concludes, PDX Magazine will use the opportunity to pair Three for Silver with local legend Nathan Jr’s new project titled .bot. The multi-instrumentalist Nathan Jr. is known as one half of the duo Duover, and has toured with the likes of M. Ward and Sea Wolf. The show, which is free to attend, begins at 7 p.m. PDX Magazine Music…