Richard Melloy

Richard Melloy’s Latest Work Is Equally Grotesque and Sublime

Richard Melloy is standing, fidgeting really, outside of N.W.I.P.A. in Southeast Portland at the opening of his latest show, The Way I See It. Despite the blistering midday heat, and the fact that he has a cache of cold beer behind the bar—good beer!—that he offers up freely to others, he himself isn’t drinking. Doesn’t drink, actually. But he does smoke. Which is what he’s doing while examining a small metal race car that’s palmed in his hand. Someone has spray-painted the entire car white, and painstakingly detailed it with her contact information, which she has handwritten with a ballpoint pen in tiny, shaky letters. “A business car!” the 57-year-old Melloy beams, driving it up and down the length of my bare arm. “Now this…this is genius!” The car is passed amongst a group of Melloy-enthusiasts, which includes a curious assortment of women who orbit him in pairs and trios, and a cadre of local artists fresh from their own gallery events. When the tiny ride makes its way over to the picnic table where Melloy and I now sit, he takes a photo of it with his phone. He turns to give me the business car and, seizing the…

Richard Melloy’s ‘The Way I See It’ Opens at NWIPA Saturday

Richard Melloy’s new exhibit The Way I See It opens at N.W.I.P.A. (6350 SE Foster Rd.) on Saturday, July 18, from 6 t 10 p.m. For the exhibit, the renowned painter has produced one of his riskiest collections yet. Melloy is a veteran artist and an inspiration for creative longevity. PDX Magazine wrote of Melloy in Issue No. 1: “[He’s] bullheaded enough not to quit and smart enough to adapt throughout a long career.” Melloy, 57, graduated from Central Washington University in Ellensburg, Washington with a bachelor’s degree in fine arts. He settled in Portland in the 1980s and was part of the nascent art scene in Northwest Portland that would go on to spawn the Pearl District. Now living in the Foster-Powell area in Southeast Portland, Melloy is a sought-after graphic designer, as well as a painter. “As a self-taught painter, it seems like everything I attempt is a risk,” says Melloy. “First, I decide where I want to begin the painting. Second, I figure out a way to paint it. Both the idea and the technique are never static so I am always open to change or refining it. Both processes push and pull until the painting arrives. I am…