Mary Locke

Photo of Faux Museum by Jayna Milan

New botanical mystery on display at Faux Museum

Past the small curated gift shop of antique postcards, curious pamphlets, oversized classic candy, and other oddities, past the quiet and delightful gentlemen, Tom Richards, seated behind the counter, lies the Faux Museum‘s (139 NW Second Ave.) latest visual journey The Lost Secrets of the Bennett-Brackett Portfolio. Detailed, technical sketches of plants—peculiar plants that you can’t quite identify—line the walls of the museum. These pieces are the crux of the exhibit, a collaboration between Richards, the museum’s curator, and local artist Jessica Brackett, who drew the pieces. The sketches, at once delicate and scientific, are difficult to identify because they’re complete fabrications of Brackett’s—“faux plants” she calls them. “We wanted to make the drawings become a documentation of a grand conspiracy that spanned the ages,” says Brackett. It was she who suggested the notion of a turn-of-the-century lady explorer, the fictional Ms. Bennett-Badger-Brackett, who would follow the “bread crumbs of a secret government conspiracy.” It was Richards who suggested “a larger context involving conspiracy theories and ancient greats like Socrates and Galileo,” according to Brackett. By the end of the collaboration, Brackett notes that the fruition of their planning was equal parts artist and curator. The exhibit tells the tale…

Discussing Finances Through Art: Umpqua Bank Launches Exhibit: Growth

A 40-foot geodesic dome appeared in Portland’s Director Park this week. It, and several sculptures by local and national artists that surround the dome, comprise Exhibit: Growth, an experiential art installation commissioned by Umpqua Bank. The exhibit aims to demonstrate the power and beauty of a collective experience by taking visitors on a journey of personal discovery. “This project began with a simple question: what does it take to have a conversation about money?” says Eve Callahan, a senior vice president at the bank who heads Umpqua’s Corporate Communications department. Callahan explains that since the mid-1990s, when Umpqua began to introduce its bank branches as community hubs, the company has tried to surmount the taboo of talking openly about finances in people’s daily lives. “Like it or not, money is an essential part of life. It guides decisions about where we live, what car we drive, where we educate our kids, travel, eat…in short, just about everything. Yet people don’t want to talk about it,” Callahan adds. Umpqua is again challenging people to think about the topic of money, this time in an unconventional way—through art. It commissioned the talent of digital art agencies Fake Love from Brooklyn and The Mill whose Los Angeles team…

All Jane No Dick

All Jane No Dick: Female comics gather to make Portland laugh

The all-female comedy festival, All Jane No Dick, is well under way, having opened last night with a local showcase at Helium Comedy Club. JoAnn Schinderle, Amy Miller, Whitney Streed and a host of other comics who performed last night are Portland-based favorites, but the festival, organized by the nonprofit Curious Comedy Theater (5225 NE MLK Jr. Blvd.), highlights nationally and internationally recognized acts as well. The aim, according to the festival’s official statement, is to recognize diverse, quality comics in an industry in which women represent just one every five spots on high-profile comedy festival bills, one in five chairs in the writing room, and one in five television appearances. “Industry representatives explain this discrepancy by claiming quality women comedians are hard to find,” notes the festival organizers. “All Jane No Dick was created to help bridge the gap between women comedians, audiences, and industry decision-makers.” Though the festival is a push back against the rampant sexism in the industry, one male rights activist in particular sees the festival as just that—sexist. In an effort to bring attention to his cause, the man, who has since become known as the Lone Woof, posted fliers along Alberta Street that urged…

Jennifer Faylor

Chasing Ghosts: Excerpt of Jennifer Faylor’s ‘Edison’s Ghost Machine’

New York City-based poet Jennifer Faylor lands in Portland this week, reading poetry from her latest collection of work Edison’s Ghost Machine. The compilation of poems details the process of one man’s grief over the loss of his lover, Alice. As part of the process he concocts a machine that speaks to ghosts, much like the invention Thomas Edison was rumored to have attempted. With a storyline that moves beyond the here and now to the afterlife, Faylor’s poetry tackles spirituality and science in equal measure. Faylor, who has her MFA in poetry from Sarah Lawrence College, has two upcoming reading events in Portland. The poet participates in the Show and Tell Gallery hosted by Three Friends Coffeehouse (201 SE 12th Ave.) on Monday, Oct. 13 at 7 p.m., and reads at the Independent Publishing Resource Center (1001 SE Division St.) the following day, Oct. 14, at 7 p.m. Edison’s Ghost Machine is published by Aldrich Press. An excerpt of Edison’s Ghost Machine: Hindu Milk Miracle The worshippers arrived in masses, stretched from the temple for miles, and blistered in September’s thick heat. Their hands clutched the cheap metal spoons that they would fill with milk, and hold up to the…

‘You Just Don’t Know Yet’: Excerpts from Derrick C. Brown’s ‘Our Poison Horse’

“At first, moving to the countryside from Austin felt like an incredible peace,” says Texas-based poet Derrick C. Brown in a recent interview with PDX Magazine. “And then you begin to notice scorpions, and massive spiders, snakes, vultures and striped hornets.” The prolific poet relocated from his adopted city of Austin to the small country town of Elgin, Texas to write his most recent book, Our Poison Horse, a collection of poetry. His work oscillates from inspiringly personal to unexpectedly humorous. “It is all horror at first,” continues Brown about the critters in his new pastoral setting, “and then you change and you begin to love watching them move. All that slither and nasty becomes fascinating. The book managed to find a lot of humor in it.” Our Poison Horse, Brown’s fifth book, is widely considered to be a compilation of more intimate and autobiographical poems than his previously published collections. Such revelations were spurred by Brown’s retreat into the countryside, which allowed for singular focus from which subtle details emerged, and unlikely connections were forged. “Every morning, I would quiet down, stare out into the field where we were watching our neighbor’s horse, a horse that was poisoned with…

Paul Revere, Raiders band leader, dies at 76

Rock n roll band leader Paul Revere died peacefully on Saturday at his home in Idaho. He was 76. Born in Idaho in 1938, he began his music career there as a teenager in the 1950s. Real success followed after his band’s move to Portland, Ore., where they transitioned from The Downbeats to the highly successful, nationally recognized Paul Revere and the Raiders. In 1963, Revere met Portland-based DJ Roger Hart, who was then hired as the band’s manager. Appearances on Dick Clark’s Where the Action Is followed, as did great fame. “It was network television that introduced five faces to the nation, all of whom contributed to an image of hard rock humor that endeared them to fans everywhere,” says Hart. “Daily, teens across America tuned in to the Dick Clark (television series) … It was then that the hits began.” Paul Revere and the Raiders were celebrated as teen idols, spending 12 years at Columbia Records, participating in two Dick Clark-produced television series, and performing several times on programs such as The Ed Sullivan Show and Batman. After their teen idol status began to fade by the end of the 1960s, Revere restructured the band into “a well…

First Thursday October: What Not to Miss

Tonight artists and art lovers – and those hoping for a few plastic cups of free wine – will populate the streets of downtown and the Pearl District. This month’s First Thursday proves as busy as any other in its 26-year history, but a few shows in particular are well worth weaving through the crowds to catch. Thursday in the DeSoto Building, Blue Sky Gallery (122 NW 8th Ave.) hosts an opening reception for two photography exhibitions: At Home with Themselves – Same-Sex Couples in 1980s America by Sage Sohier and One Mahogany Left Standing by Carol Yarrow. In her fifth show for Blue Sky, Sohier presents intimate black-and-white portraits of committed same-sex couples photographed during the ’80s. Her work attempts to debunk the rampant misinformation surrounding AIDS that fueled the period’s homophobia. Between 1995 and 2002, Portland-based photographer Yarrow took multiple trips to Nahá, a small village home to roughly 200 Lacandon Maya in Chiapas, Mexico. During her visits she photographed the daily life of the people, who soon became her friends. This intimacy is evident in her black-and-white gelatin silver prints. View Thursday’s opening reception from 6 to 9 p.m. The exhibitions run through Nov. 2. www.blueskygallery.org Portland-based…

Artist Bre Gipson blends mediums to capture natural elements and cosmic landscapes

“Overall, I am a maker and whatever the medium, I want my work to be open-ended enough for viewers to insert their own story while still exuding a sense of the otherworldly,” says artist Bre Gipson, whose mediums include watercolor, collage, sculpture, and digital art, among others. The Oakland-based artist is spending this summer—and the next two—in Portland to participate in Pacific Northwest College of Art’s Low-Residency MFA in Visual Studies program. Back home, she’s a member of an all-female artist collective whose work, Till Death Do Us Part, is currently on exhibit at Solespace Gallery and Somar Art Bar in Oakland. In Portland, her art continues to progress and advance. “My work is constantly evolving and I continuously experiment with new materials and mediums,” notes Gipson. “Currently, I am working on animating my collages and creating larger site-specific paintings and installations.” While the artist does not work in just one primary medium, or give a preference to one over another, Gipson does note that her approach to her art and how she produces it is a collage in its most basic sense. “Whether it’s layered paper imagery, or my line work over paint, or more tactile in my sculptures…

Fine art goes mobile: Portland’s first art cart fair hits Hawthorne Sept. 13

Sculptor Stan Peterson and silversmith Stephanie Wiarda are taking their Little Art in the Trailer show on the road. The two artists have organized Art Carts, a one-day pop-up art exhibit held at the far east end of Hawthorne Boulevard in the East Portland Eagle Lodge’s parking lot (4904 SE Hawthorne Blvd.). On September 13, Peterson and Wiarda’s art-filled 1973 Airstream Argosy will be joined by roughly a dozen trailers, trucks, vans, and vehicles curated by both emerging and local artists. In addition, the PDX Magazine-sponsored art fair will feature food, three live bands, a wine and beer garden, and best-decorated art trailer contest with prizes. The all-day event—drop by from 11 a.m. to 7 p.m.—presents a fun and relaxed way for Portlanders to experience the West Coast’s fine art scene. And for Peterson, the idea is a dream realized. “We’ve been showing different artists in our trailer for about six months,” says Peterson, “but our dream has been to get a bunch of art carts together.” View carts curated by: Chris Haberman, a prolific painter and muralist and co-founder of People’s Art of Portland Gallery Jason Brown and Ali Schlicting, co-owner of People’s Art of Portland Gallery, both painters Jonathan Parker,…

Photograph by Intisar Abioto

Intisar Abioto’s ‘The Black Portlanders’ expands to all of Oregon with new partnership

Local photographer and storyteller Intisar Abioto, who has worked on The Black Portlanders project since February 2013, is now packing up her camera and traveling throughout Oregon to expand the breadth of her photography subjects. Abioto is partnering with the Urban League of Portland to produce photo accompaniments and conduct interviews for the next edition of the State of Black Oregon. Abioto will serve as photographic director for the important report. This year’s State of Black Oregon is a follow-up to the 2009 report, which included stories and data that first made the troubling social and economic realities of black Oregonians visible. According to Abioto, 2014’s report will feature “exploratory photography/imagery, and narrative and lived experience to illustrate the social and economic reality of black Oregonians.” The Urban League and Abioto will travel together to Ashland, Eugene, Bend, and Coos Bay to conduct interviews and photograph participants. “My goal within the project will be to photograph and illustrate the diverse presence of black people in Oregon, both urban and rural,” remarks Abioto. “What does black Oregon look like? Who are black Oregonians? Where are we?” “I don’t have a working mental image of what black Oregon looks like. Do you?”…